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3. EROTICISM, SUBVERSION, MERCHANDISE

Pier Paolo Pasolini: when Cinema meets Poetry – Full retrospective on the centenary of his birth
3. Eroticism Subversion Merchandise (30/04-21/05, 2022)

Eroticism subversion of goods, designates, along the lines of the title of a historic conference organized by the Cineteca di Bologna, the films that, in the 1970s, represented eroticism and its dynamics, challenging censorship. At the beginning of that decade, against a present of conformism and massification, Pasolini reacted by recalling the myth of a popular past, dominated by carnality and an uncorrupted eros: this is how the films of the ‘Trilogy of life’ (The Decameron, The Canterbury Tales and The Flower of a Thousand and One Nights). To crown this third stage of the retrospective dedicated to Pasolini’s cinema, a brief foray into the “golden age” of auteur cinematographic eroticism, which featured, among others, the Bertolucci of ‘Last Tango in Paris’, Walerian Borowczyk with ‘The Beast’.

 

– Last tango in Paris

– Il Decameron

– Racconti di Canterbury

– Salome

– La bestia

– Comizi d’amore

– Orgia

– Pasolini e il pubblico

– Racconti di Canterbury

– Il Fiore delle mille e una notte

– Le mura di Sanah

– Pasolini: un delitto Italiano

– Pasolini e la forma della città

– Pasolini intervista Ezra Pound

  • Organized by: IIC Melbourne