Pier Paolo Pasolini: when Cinema meets Poetry – Full retrospective on the centenary of his birth
3. Eroticism Subversion Merchandise (30/04-21/05, 2022)
Eroticism subversion of goods, designates, along the lines of the title of a historic conference organized by the Cineteca di Bologna, the films that, in the 1970s, represented eroticism and its dynamics, challenging censorship. At the beginning of that decade, against a present of conformism and massification, Pasolini reacted by recalling the myth of a popular past, dominated by carnality and an uncorrupted eros: this is how the films of the ‘Trilogy of life’ (The Decameron, The Canterbury Tales and The Flower of a Thousand and One Nights). To crown this third stage of the retrospective dedicated to Pasolini’s cinema, a brief foray into the “golden age” of auteur cinematographic eroticism, which featured, among others, the Bertolucci of ‘Last Tango in Paris’, Walerian Borowczyk with ‘The Beast’.
– Last tango in Paris
– Il Decameron
– Racconti di Canterbury
– Salome
– La bestia
– Comizi d’amore
– Orgia
– Pasolini e il pubblico
– Racconti di Canterbury
– Il Fiore delle mille e una notte
– Le mura di Sanah
– Pasolini: un delitto Italiano
– Pasolini e la forma della città
– Pasolini intervista Ezra Pound