Clara Belladone,
Viola
> Clara Belladone in concert on the IIC Melbourne Vimeo channel: click here
Programme
• A. Solbiati, Corde I ( I versione 1991-II versione 2004) J. S. Bach,
suite n° 3 Preludio
• Solbiati, Corde II (2004)
• Bach, suite n° 3 – Allemanda
• D. Turi, Elegia (2021)
• Bach, suite n°3 – Corrente
• Solbiati, Corde III (2004)
• Bach, suite n°3 – Sarabanda
• M. Betta, In ombra d’amore (1988)
• Bach, suite n° 3 – Bourree I, Bourree II, Giga
• M. Dall’Ongaro, Alter (2001)
Clara Belladone, violist, concludes her first academic studies in Italy at the conservatory of Palermo and at the Italian Youth Orchestra with which she has the opportunity to study followed by Mº Antonello Farulli, perform together with Mº Mario Brunello and play under the baton, among others, by Maestro Riccardo Muti.
Belladone then continued her training in Holland pupil of Masters Mikhail Kugel, Julia Dinerstein and Mikhail Zemtzov, specializing in Viola Soloist at the Zuyd Hogeschool Conservatorium Maastricht.
Back in Italy, she finished her academic career at the High Specialization courses in Chamber Music at the National Academy of Santa Cecilia in Rome, under the guidance of Mº Carlo Fabiano.
She has collaborated with prestigious orchestras in Italy and abroad, coming across programs ranging from opera to contemporary, passing through the Baroque and classical repertoire.
As soloist viola of the orchestra of the Teatro Massimo in Palermo in chamber form with “Introitus” by Maestro Sofia Gubaidulina, performing in the presence of the composer herself.
Viola soloist also with the Abruzzese Symphony Orchestra for the world premiere of Tonino Battista’s “Siege, fragments of a reportage”.
She participated in the world premiere of Hans Werner Henze’s Concerto for double bass and orchestra.
As a soloist she has also performed in Holland, Belgium and Germany, investigating the viola repertoire, performing in prestigious concert halls and international festivals.
As a chamber musician, she has been part of groups including the “Maastring trio”, the Zemtzov Viola Quartet, the Jazzical contemporary Ensemble with which she performed in central Europe in prestigious concert halls and renowned festivals such as the Orlando Festival, with types of repertoire ranging from baroque repertoire to contemporary music.
She collaborates as a violist in the contemporary field with various ensembles between Italy and Germany, ranging from repertoire pieces to world premieres.
As a chamber musician, she has been part of groups including the “Maastring trio”, the Zemtzov Viola Quartet, the Jazzical contemporary Ensemble with which she performed in central Europe in prestigious concert halls and renowned festivals such as the Orlando Festival, with types of repertoire ranging from baroque repertoire to contemporary music.
She collaborates as a violist in the contemporary field with various ensembles between Italy and Germany, ranging from repertoire pieces to world premieres.
Among the other soloist viola of “Ensemble Nuova Roma Sinfonietta”, with “Folk Songs” by Luciano Berio, “Forellen Trio” by Marcello Panni (first performance in Italy) and other pieces by Lorenzo Ferrero and Ludovico Einaudi.
Violist of the Ensemble 900 of the National Academy of Santa Cecilia, together with whom he staged Three operas in one act which will be premiered in Venice on the occasion of La Biennale 2019, as part of the Biennale musica college.
With the same ensemble he participates in numerous other chamber opera initiatives in the Roman musical environment.
Her path does not lack teaching activities, which began in the Netherlands at Codarts Rotterdam and the Zuyd hogeschool conservatorium Maastricht.